quousque:

gotinterest:

snime:

atla has the clearest demonstration of the emo/goth dichotomy of any piece of modern media, i think. we as an audience know that zuko and mai shouldn’t have ended up together, and this is because zuko (an emo) and mai (a goth) are so fundamentally different. in this essay, i will address th

While it is tempting to categorize Zuko as an emo, careful analysis reveals that he is actually a punk. While his constant angst is a symptom of an emo like nature, his lust for justice/ honor, his angry outbursts, and his teenage rebellion are far more in line with the subculture of punk. In my response, I will address th

Attempts by previous scholars to solidly categorize Zuko into either the emo or punk category are doomed to failure because they presuppose a sub-cultural dichotomy where none exists (though I do not debate that Mai is 100% goth). Instead, Zuko inhabits the emo-punk spectrum, with occasional forays into Fucking Nerd. Zuko’s character arc in ATLA can, in fact, be analyzed as the evolution of an Emo into a Punk through personal and external acceptance and love. In my analysis, I will explain how Zuko’s hair is symbolic of th

guys, we need to talk about eowyn

nemertea:

hacash:

So I get really narky when people pull the whole ‘oh Eowyn’s
storyline came to such a sucky ending; she was really cool going around killing
orcs and Witch-Kings and then she got shoved into a traditional girly role by marrying
Faramir and becoming a healer’ thing, because no. No-no-no-no-no. Not only does that
stray dangerously into the territory of ‘women only have worth if they’re doing
traditionally blokey things’, but that misses almost the entire point of Lord of the Rings.

Tolkien was in the trenches in the first world war, right?
He got all that ‘for death and glory’ shit shoved down his throat, that was the
whole point about the war, it was when so many people came to see how awful and
misleading all the propaganda about winning glory through violence and death was. And Tolkien’s work completely shows
that: it’s why the hobbits, who’ve never craved power or battle the way men do,
are the heroes of the book; it’s
why strong men like Aragorn and Faramir are shown to be lovers of peace rather
than war. It’s why the quote – but I do not love the bright sword for its sharpness, nor the arrow for
its swiftness, nor the warrior for his glory; I love only that which they
defend
– is so poignant and beautiful, when
seen in the context of all Tolkien had gone through. He’d seen all but one of
his closest friends die in an utterly pointless war; the prevalent message in
his books is ‘if you’re going to have that many people die, let it be for
something worth dying for.’ (Like
defending your home from the lord of all darkness, for example.)

And Eowyn
might be a fantastic female character, but she’s also got so much development
to go through, and she’s by no means perfect. I find it really interesting that when Eowyn talks to Aragorn
about wanting to go off and fight she never really actually mentions protecting
her people, but speaks about wanting to ‘face peril and battle’, and to
do ‘great deeds’. And it’s not that Eowyn doesn’t want to protect her people, because of course she does, but she’s also got such a
driving motivation within her to do glorious and fell deeds simply for the sake
of valour and renown. It’s one of her defining features, having an attitude
that got so many young men killed in the war and which, obviously, Tolkien
would have been very wary of.

(Also, I think, there’s so much in Eowyn that wants to prove
herself to be more than ‘a mere woman’; because twice in that conversation she
asserts that she’s no mere ‘dry-nurse’ or ‘serving-woman’, but a member of the
house of Eorl and therefore capable of greater things. There’s almost this
slight sense of Eowyn considering herself more than ‘just’ a domesticated woman that I
sometimes get from her in the books? Which is very sad – the idea of Eowyn having less regard for others of her sex who do mind the house or raise the children – and why I so love that ‘I am no man’ moment in RotK. Eowyn’s no longer hiding herself, or dismissing fellow women as the weaker sex,
but acknowledging and embracing the fact that women in all their forms can fuck you up.)

And then we reach
the Houses of Healing, and Eowyn yearning for death in battle just like her
Uncle Theoden, and basically buying into that whole world war one ethos that
Tolkien would have considered so poisonous. Which is why her friendship and
courtship with Faramir is so fricking beautiful.
Remember that quote I wrote earlier? That’s from Faramir. He’s not backing down
from conflict, he’s in no way less of a ‘real man’ than anyone else; he’s just
saying there needs to be more to the fight than simply having a fight. There needs to be a reason; something worth
fighting for. Eowyn recognises that Faramir is a good man in every sense of the
word: he’s strong and valiant, but he doesn’t fight simply to prove himself or
for the sake of winning glory, he fights for other people. And Faramir gently challenges Eowyn on her
idolisation of battle-glory and encourages her not to scorn gentleness or
peace, and he’s so freaking good for her.

(Seriously. Can we just stop for a moment and think about how
wonderful Eowyn and Faramir are for each other: Faramir encouraging Eowyn to
turn towards life and healing and openness while never denying her strength or courage, and Eowyn giving Faramir the
validation and security he never got after so many years of an awful
relationship with his father? I honestly don’t know why I don’t get all giddy
about these two more often, because they make the very best otp.)

And the result of the departure of the Shadow and her
friendship with Faramir is Eowyn’s decision that ‘I will be a shieldmaiden no longer, nor vie with the great Riders, nor take joy only in the songs of slaying. I
will be a healer, and love all things that grow and are not barren.’

I think that last bit is so important because I’m certain
that Tolkien doesn’t mean for Eowyn to immediately pack up her sword and shield
and become a good girl sitting at home with her knitting and waiting for the
men to return home after the fight – after all, she’s going to be the wife of
the Steward of Gondor and there’s a lot of mess to clean up after the War of
the Ring. Eowyn’s probably still going to find herself defending hearth and
home from time to time. But the important thing is that she’s no longer
defining herself simply by the doing of valiant deeds; she’ll no longer compare
herself to the great warriors of her house and feel lacking simply because she
hasn’t killed as many men. Most importantly, she’s not going to take joy only in the songs of the slaying, in
destruction and death. Tolkien was all about healers symbolising life and
rebirth, and Eowyn’s decision to become one – to aid in the preservation of
life rather than the taking of it – is so beautiful. I don’t think Tolkien ever
wrote Eowyn’s ending to make her reclaim her ‘lost femininity’; I think it’s a
lovely way of adding to the ever-present theme in Lord of the Rings of hope and
frailty and healing and friendship over glory and battle and strife.

Yes.

Also, the other really fucking significant healer in the text is Aragorn. He acknowledges his claim to kingship of Gondor not through the sword but by healing the wounds that the Enemy has inflicted – “The hands of the king are the hands of a healer, and so shall the rightful king be known.”

So much of what Eowyn does is motivated by her heatwrenchingly awful and unhealthy love for Aragorn. She puts all of her hope in him – and he can’t reciprocate. So she follows him out of a black despair at her perceived loss and a desire to make something of herself through the only avenue she thinks that she has open to her. She’s fighting for Middle Earth because she loves Theoden, because she loves her brother and because she loves Aragorn, but not because she loves herself. She is valiant and brave and she fucking kills a goddamn Nazgul. It’s amazing, but it breaks her because she doesn’t even get the death she was chasing.

Aragorn heals her from her wounds, but it is Faramir who heals her despair. This healing doesn’t just give her a second prize husband; Faramir is better for her, understands her and welcomes her. And with a healthy love in her life, she understands the core of the King. She is able to love Aragorn in a way that Aragorn can return. At the end of Return of the King, Eowyn takes up Aragorn’s standard again, and follows him into battle against death and decay. She does for Ithilien what Sam did for the Shire. That is motherfucking triumphant.

I love Eowyn so much. She got a happy ending, and she had to fight tooth and goddamn claw for it and I will fight you if you want to take it away from her.

any thoughts on elf sexuality?

thesylverlining:

jabletown:

cptsdcarlosdevil:

ONLY ALL OF THEM

The interested reader should consult What Tolkien Officially Said About Elf Sex, the most extensive guide to elf sexuality I’m aware of. Also, be aware that I haven’t read Silm and anything in here contradicted by Silm is a result of ignorance.

The bits I find interesting are that (1) elf marriage is defined as being sex— the party is considered a good idea, but strictly optional, (2) elves don’t commit adultery and (3) elves can apparently tell from the way someone moves whether they’re wed or unwed. Now, this may just be that elves are Good Catholics, but are you kidding, there is an opportunity for my favorite tropes. I propose: elf hypermonogamy!

(I actually totally thought elf hypermonogamy was canon until I was researching my answer for this ask. GODDAMMIT TOLKIEN.)

Elves are universally demisexual: they literally do not experience sexual attraction to people they aren’t in romantic love with. Elves are only capable of being in love with one person at once. It takes them a long time to get over love; it’s quite common for a rejected elf to never fall in love again, and most of those who do go centuries before they do.

So, how does that affect my favorite ships?

I feel like Legolas/Gimli is super-more-awesome if Legolas was literally never sexually attracted to anyone before Gimli and has no idea what this emotion is. So he is all like OH GOD THIS DWARF IS SO ANNOYING 😡 😡 😡 I JUST WANT TO THINK ABOUT HIM ALL THE TIME. BECAUSE HE’S ANNOYING. I WONDER WHAT HIS HAIR FEELS LIKE. And eventually this gets to the point where even Mr. They’re Taking The Hobbits To Isengard starts wondering if something’s up.

and then at Lothlorien he seeks the advice of Galadriel and Galadriel is like “Legolas, you’re in love” and Legolas is like “???!???!!!!!!”

and Galadriel thinks to herself “JESUS CHRIST, Legolas, Luthien and Arwen are one thing, human boys are sort of cute, but DID YOU REALLY JUST FALL FOR, OF ALL PEOPLE, A FUCKING DWARF”

(and then Gimli does the hair thing and she’s like “well, at least he has good taste”)

and then Legolas ends up having sex with Gimli. Now, dwarves totally have a culture of warrior homosexuality. (Also: everything homosexuality????) So Gimli is all like “ah, yes, manly men blowing off some steam in a manly way after battle, this surely does not mean Feelings” and Legolas is like “:( 😦 😦 I will go stare at a river and write love poetry in Quenya more beautiful than the hearts of Men can bear” but he totally doesn’t let Gimli know because he doesn’t want to Pressure Gimli Into A Relationship and also because he will Take What He Can Get

and then at some point Aragorn is sadly singing to himself about Luthien as is his third-favorite hobby (behind beard growth and still not being king) and Gimli is like “why the hell would she give up her immortality anyway, dude, it’s fucking immortality? why can’t she marry an elf instead” and with one thing and another Aragorn ended up telling him about the Elvish Facts of Life

and then Gimli storms up to Legolas and is like YOU KNOW USUALLY I LIKE TO BE INFORMED WHEN I’M MARRIED TO PEOPLE

and Legolas is like “…I’m… married to you but you’re not married to me?”

and Gimli is like I DON’T KNOW WHAT NANCY SHIT YOU PONCY MOTHERFUCKERS GET UP TO BUT AMONG DWARVES MARRIAGE IS USUALLY CONSIDERED A TRANSITIVE PROPERTY

and Legolas was like “I am sorry, I understand if you will never speak to me again” and he is mentally drafting, like, the world’s saddest poem, like, it will win the Saddest Poem contest Elrond holds every year

and Gimli is like YOU FUCKING MORON OF COURSE I WANT TO BE MARRIED TO YOU HOW ELSE CAN I GET TO SHOW YOU ALL THE PRETTY CAVES

and Legolas is like “oh. Oh!”

and then he ends up smuggling his boyfriend into Valinor, I assume by just sort of shoving him into the luggage. “Dwarf? What dwarf? I don’t have a dwarf. What, no, my bag isn’t wriggling, you’re seeing things. Gosh, there are weird sounds on the sea, that one sounded almost like the word ‘fuck’.”

also I feel like this whole thing makes Elrond and Arwen infinitely more amusing

Elrond: NO YOU ARE NOT GOING TO MARRY ARAGORN
Arwen: GRANDMA DID
Elrond: AND LOOK WHERE THAT GOT HER
Arwen: I DON’T CARE I LOVE HIM
Elrond: THERE ARE LOTS OF NICE BOYS IN VALINOR, I’M SURE YOU’LL FIND SOMEONE ELSE
Arwen: NO I WON’T
Elrond: …fuck. You’re right.
Arwen: (looks smug)
Elrond: you know Elros really had the right idea, immortality is awesome but at least HUMANS HAVE THE CONCEPT OF SERIAL MONOGAMY

this needs another reblog bc every reason, but also because i think of the phrase “among dwarves marriage is usually a transitive property” a lot and laugh hysterically

…. YOU TAGGED ME IN THIS HOW DID YOU EVEN KNOW. we have never – how the hell did u

i mean YES this is absolutely something OF INTEREST TO ME bc nerd analysis of FANTASY ROMO DYNAMICS is always gonna be my shit, i will clap my hands and kick my heels and approve of Analyzing Romantic And/Or Sexual Social Dynamics Of Fictional/Fantasy Societies till the cows come home (LET ME TELL YOU ABOUT GARGOYLES/THE CLAN PHEROMONE HEADCANON I JUST SPRANG ON @cemetery-prince, I SAY) –

but I am also laughing bc yeeEEAHHH I ALSO SHIP LEGOLAS/GIMLI LIKE YEAH and as far as i know *i have never told u this* and have not reblogged shit with them in like 3 years bc they are a Lapsed Ship/Fandom of mine (u know the ones that lie DORMANT) so like

how did u. EVEN. u mind-reader. WHAT.

feathersmoons:

starspray:

lintamande-reblogs:

earendil-was-a-mariner:

Tolkien started rewriting the Hobbit in the style of LotR, but what I really want is the Silmarillion in the style of the Hobbit. 

In a hole in the fabric of the universe there lived a god. 

Now, this was not one of those minor gods of bedtime stories or petty wars for heaven; this was the One God, all-loving and all-knowing, who created the world – only he hadn’t created the world just yet, which is why he was sitting in a hole in the fabric of the universe.

#that sounds more like douglas adams

and it is glorious

Things that the more irrepressible (probably Sindarin) elves of Rivendell have dared each other into asking Bilbo to do, #3785.

Elrond had to contain his horrified face.

Gandalf, on the other hand, went out on the balcony, shut the door, and had the best laugh he’s had this Age. He promptly copied it to take home and share with Lorien, Tulkas, Estë and Varda, because they’d all get a kick out of it.

(Manwë would pretend he didn’t and pretend to be Disappointed as Varda’s whoops of laughter accidentally create three more constellations, but she’s always felt he takes himself too seriously anyway.) (Also inside he’s a goey marshmallow.)

lectorel:

queenshulamit:

queenshulamit:

irenydrawsdeadpeople:

Vimes wakes up in the shadow of a barricade and immediately assumes the worst. But then it turns out this Enjolras lad’s got all the good parts of Ned Coates and Reg Shoe with very little of the bad, and his second-in-command reminds him a little of Dr. Lawn, and it’s funny, but he gets the feeling this revolution might work out after all.

Javert, meanwhile, finds himself drawn quite against his will into a discussion of the finer points of the law with one Captain Ironfoundersson…

(You can blame this thread for the nonsense above! Don’t ask me how the timeline works, it went all wibbly-wobbly for comedic purposes, okay. ALSO LOOK, A CROSSOVER THAT DOESN’T END IN TEARS!)

OMFG I HAD NO IDEA HOW MUCH I NEEDED THIS IN MY LIFE AWWW YISSSSSS

Bringing this back because of reasons

*cackles* Nobody is dying on Vimes’ watch. He’ll probably arrest the damn firing line.