so in my greek class we were talking about oral composition and how something like the iliad must have been composed, and my prof asked us to consider how we would rapidly compose something like poetry on the spot. and i think it was a really important exercise not just for understanding the construction of an oral epic but also for reminding us of how great works can come from supposedly “humble” origins. so if anyone is ever snobby about their homer, just remind them that, as my professor put it, the iliad is basically ancient freestyle rap, and homer is much closer to jay z than to f. scott fitzgerald
basically what i’m saying is please imagine homer asking someone to give him a beat on the lyre and then dropping the sickest fucking meter ever. the ill-iad, by lil homie
the freshest poet this side of the adriatic
drop that meter like odysseus dropped the ball getting home
everything I’ve learned from the BBC and various books growing up tells me that nothing happens at Oxford and Cambridge except murders, secret societies, homosexual longing and possibly the occasional orgy (which begins in homosexual longing and ends in someone being murdered)
Also spies. Sometimes there are gay spy orgies with or without murder.
And it would be so terribly gauche to confuse those last two, to go and really let your hair down at the gay spy orgy only to be caught out by the sudden murdering. ‘I dare say old bean, this is a bit of an outrage,’ you would attest, manhandling erotically sticky corpses out of the way. ‘Terribly bad form.’
except murders, secret societies, homosexual longing and possibly the occasional orgy (which begins in homosexual longing and ends in someone being murdered), spies, and propelling shallow flat-bottomed river craft with 14-ft poles while dispensing brittle witticisms through a curtain of fair, floppy hair
this is a reminder that one time percy shelley stole a baby out of its mother’s arms in order to question it about its platonic pre-existence in an attempt to win an argument.