“1/4? Really? Who writes a measure of ¼. WHY would you write a measure of ¼?” “Because fuck you that’s why.”
“I will literally trade you my sandwich for that practice room.” “Dude you should eat your lunch.” “I won’t be able to eat it if my teacher decapitates me for not practicing JUST TAKE IT.”
“I always wanted to look inside the percussion room. It’s like Narnia, but noisier.”
“Satan created piccolos to punish the trumpets for their pride.”
“I’m thinking about dropping music history.” “But why, don’t you need that class?” “Yes but half of it is non-music majors and two people were having a discussion about why there were hashtags at the beginning of the music.”
“So my teacher convinced me to take the History of Rock and Roll over the Summer but it was an online course and he found the webcam filters and inevitably the first unit ended up being taught by a talking dinosaur on my webcam. This man teaches college theory.”
“SHH. Don’t say the theory teacher’s name. He’s like Beetlejuice. If you say it three times he’ll appear behind you and fuck your shit up.”
“I found out Mozart had a butt fetish and I’m never going to be able to stop calling him Mozfart.”
“If I see a drink within 100 feet of that Steinway I will track you down and beat you with my harpsichord.”
“Theres no way a tuba can fit in that tiny ass locker.” “Not with that attitude.”
~somebody accidentally slams the piano keys with the backpack~ “Same.”
“It’s just simple stomps and claps.” “I’m a SINGER. If I could stomp and clap don’t you think I’d be SOMETHING ELSE?!”
“It’s a simple repetition.” “You’re a simple repetition.” “Shut the fuck up.”
Me (drunk in a practice room at 3am because I wanted to see how it felt to play trombone when I can’t feel my face. Also, I’m slamming the piano keys with my forearms): FUCK YOU I’M HENRY COWELL
The band room is next to the choir room and it was quiet for .3 Seconds before I heard “SHOVE THAT TUBA UP YOUR ASS PICK UP SOME BETTER BRASS” like idk
… this has made me so nostalgic I can’t even. Also I want to take that history of R&R class.
Also the bit about the Steinway was probably a teacher.
Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it”
Our Band Director then informed us we sounded perfect.
To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.
On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.
I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…
Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.
The lengths we go for music.
Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.
One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”
And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:
[stifled giggling]
[reeeeeeally deep breath]
[COLOSSAL FOGHORN NOISE]
The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.
In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”
FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.
This is the best band post
Everyone else go home
Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this
which is 8 fortes. We were shocked until,
that is 24 fortes who the fuck does that
Who does that?
This guy. Take a good look – that is the moustache of a man with nothing to lose.
Julius IdontgivaFucik
More like Julius Fuckit
Pyrozod’s tags for this were too hilarious not to share
I haven’t been in band for years but this made me laugh so hard
I haven’t seen this post in ages and I’m dying of laughter
Kimchi and Justice 