This past weekend, several friends and I got to talking about the King Arthur police precedural
that Fox is allegedly developing. I only mention this because over the
course of this conversation we realized that the ONLY modern-King-Arthur
television show that Fox should really be developing is a
hilarious reincarnation-based office sitcom, and now I can’t stop
thinking about it, so I am going to tell you all about this imaginary
sitcom in EXCRUCIATING DETAIL.
My imaginary workplace sitcom is about a struggling nonprofit organization and is probably written by the people who wrote Parks and Rec and Brooklyn 99. Accordingly, it stars Retta and Melissa Fumero:
as Alice and Pam, OFFICE NEMESIS battling nonprofit burnout! and each other!
….UNTIL,
in the first episode, they start having flashbacks and eventually
realize: they are the reincarnations of, respectively, King Arthur and
Lancelot, they are destined to fight evil while being devoted to each
other in an epic and legendary way, and weekly budget meetings just got
really weird!
Every episode alternates between flashbacks to
Round Table efforts to fight evil, provide justice, build a better and
more stable society, etc., and current-day office hijinks as the
nonprofit attempts to do the same, but with much more paperwork.
As
a sidenote, all the flashbacks initially have placeholder white guy
actors doing ye olde British accents and speaking forsoothly, except for
the person having the flashback, who plays themselves. Once Alice and
Pam recognize each other at the end of the first episode, however, every
flashback features Retta and Melissa Fumero talking exactly like they
would in the office while wearing shining armor.
The rest of the placeholder actors gradually get replaced by actual cast members as further reincarnation reveals occur,
including:
–
Donald Glover as the reincarnation of Sir Gawain, ladies’ man and
too-cool-for-school tech bro, who’s the only person who knows how to
keep the website running!
–
Rahul Kohli as the noble reincarnation of King Pellinore, the
development manager who is constantly questing after very worthy but
COMPLETELY UNATTAINABLE grants!
–
Yael Grobglas as the reincarnation of Sir Kay, the long-suffering and
sarcastic office business manager who must always be the one to point
out they don’t have enough money for their pet project!
–
Sandra Oh as the director’s PA, the only person who knows where
everything is and keeps the office running and everybody from murdering
each other; she of course turns out to be Guinevere!
–
and, of course, Jaime Camil as Merlin, the director of the nonprofit,
who has been gathering all the Round Table reincarnations together for
world-saving purposes all this while!
Merlin
is not reincarnated, for the record. Merlin is just Merlin. This is why
Merlin is very good at magic and WILDLY INCOMPETENT at being the
director of a nonprofit organization.
Sample episodes include:
– the episode where everyone is rushing to meet a grant deadline, with flashbacks to PREPARING FOR BATTLE AGAINST THE ROMANS
–
the team retreat episode in which Merlin insists everybody do trust falls;
in flashbacks, Merlin also insists everybody do trust falls
– the
episode in which Donald Glover has to go through ludicrous hoops to
install a new open-source software, intercut with the story of Sir
Gawain and the Green Knight
– the mid-season love triangle episode,
in which a.) the reveal of who is Guinevere, b.) the reveal that
Lancelot and Arthur were way more than good buddies, and c.) THE MOST
AWKWARD OFFICE MEETINGS YET, FOR EVERYONE
Today I was talking to my professor about my ptsd and how it may affect class performance, because it’s a very participation-heavy class. The system that my professor came up with is kind of beautiful, so I want to share it with you guys.
She gave me some neon pink post-its, the kind that can be seen for miles because of how bright they are. If I’m having a flashback, dissociating, panic attack, etc., I can just put one of the post-its on my notebook, or somewhere in front of me on the desk. She’ll take that as a cue to not call on me and not expect me to participate. When I’m ready to engage in class again, I’ll just move the post-it out of sight.
I definitely appreciate having this accommodation, and I plan to use it with my future students someday. It’s simple, works when I’m non-verbal, and it doesn’t look like anything weird or attention-grabbing to classmates.
the most implausible thing about superhero movies is that these guys make their own suits, like seriously those toxic chemicals did NOT give you the ability to sew stretch knits, do you even own a serger
I feel like there’s this little secret place in the middle of some seedy New York business neighborhood, back room, doesn’t even have a sign on the door, but within three days of using their powers in public or starting a pattern of vigilanteism, every budding superhero or supervillain gets discreetly handed a scrap of paper with that address written on it.
Inside there’s this little tea table with three chairs, woodstove, minifridge, work table, sewing machines, bolts and bolts of stretch fabrics and maybe some kevlar, and two middle-aged women with matching wedding rings and sketchbooks.
And they invite you to sit down, and give you tea and cookies, and start making sketches of what you want your costume to look like, and you get measured, and told to come back in a week, and there’s your costume, waiting for you.
The first one is free. They tell you the price of subsequent ones, and it’s based on what you can afford. You have no idea how they found out about your financial situation. You try it on, and it fits perfectly, and you have no idea how they managed that without measuring you a whole lot more thoroughly than they did.
They ask you to pose for a picture with them. For their album, they say. The camera is old, big, the sort film camera artists hunt down at antique stores and pay thousands for, and they come pose on either side of you and one of them clicks the camera remotely by way of one of those squeeze-things on a cable that you’ve seen depicted from olden times. That one (the tall one, you think, though she isn’t really, thin and reminiscent of a Greek marble statue) pulls the glass plate from the camera and scurries off to the basement, while the other one (shorter, round, all smiles, her shiny black hair pulled up into a bun) brings out a photo album to show you their work.
Inside it is … everyone. Superheroes. Supervillains. Household names and people you don’t recognize. She flips through pages at random, telling you little bits about the guy in the purple spangly costume, the lady in red and black, the mysterious cloaked figure whose mask reveals one eye. As she pages back, the costumes start looking really convincingly retro, and her descriptions start having references to the Space Race, the Depression, the Great War.
The other lady comes up, holding your picture. You’re sort of surprised to find it’s in color, and then you realize all the others were, too, even the earliest ones. There you are, and you look like a superhero. You look down at yourself, and feel like a superhero. You stand up straighter, and the costume suddenly fits a tiny bit better, and they both smile proudly.
*
The next time you come in, it’s because the person who’s probably going to be your nemesis has shredded your costume. You bring the agreed-upon price, and you bake cupcakes to share with them. There’s a third woman there, and you don’t recognize her, but the way she moves is familiar somehow, and the air seems to sparkle around her, on the edge of frost or the edge of flame. She’s carrying a wrapped brown paper package in her arms, and she smiles at you and moves to depart. You offer her a cupcake for the road.
The two seamstresses go into transports of delight over the cupcakes. You drink tea, and eat cookies and a piece of a pie someone brought around yesterday. They examine your costume and suggest a layer of kevlar around the shoulders and torso, since you’re facing off with someone who uses claws.
They ask you how the costume has worked, contemplate small design changes, make sketches. They tell you a story about their second wedding that has you falling off the chair in tears, laughing so hard your stomach hurts. They were married in 1906, they say, twice. They took turns being the man. They joke about how two one-ring ceremonies make one two-ring ceremony, and figure that they each had one wedding because it only counted when they were the bride.
They point you at three pictures on the wall. A short round man with an impressive beard grins next to a taller, white-gowned goddess; a thin man in top hat and tails looks adoringly down at a round and beaming bride; two women, in their wedding dresses, clasp each other close and smile dazzlingly at the camera. The other two pictures show the sanctuaries of different churches; this one was clearly taken in this room.
There’s a card next to what’s left of the pie. Elaborate silver curlicues on white, and it originally said “Happy 10th Anniversary,” only someone has taken a Sharpie and shoehorned in an extra 1, so it says “Happy 110th.” The tall one follows your gaze, tells you, morning wedding and evening wedding, same day. She picks up the card and sets it upright; you can see the name signed inside: Magneto.
You notice that scattered on their paperwork desk are many more envelopes and cards, and are glad you decided to bring the cupcakes.
*
When you pick up your costume the next time, it’s wrapped up in paper and string. You don’t need to try it on; there’s no way it won’t be perfect. You drink tea, eat candies like your grandmother used to make when you were small, talk about your nights out superheroing and your nemesis and your calculus homework and how today’s economy compares with the later years of the Depression.
When you leave, you meet a man in the alleyway. He’s big, and he radiates danger, but his eyes shift from you to the package in your arms, and he nods slightly and moves past you. You’re not the slightest bit surprised when he goes into the same door you came out of.
*
The next time you visit, there’s nothing wrong with your costume but you think it might be wise to have a spare. And also, you want to thank them for the kevlar. You bring artisan sodas, the kind you buy in glass bottles, and they give you stir fry, cooked on the wood-burning stove in a wok that looks a century old.
There’s no way they could possibly know that your day job cut your hours, but they give you a discount that suits you perfectly. Halfway through dinner, a cinderblock of a man comes in the door, and the shorter lady brings up an antique-looking bottle of liquor to pour into his tea. You catch a whiff and it makes your eyes water. The tall one sees your face, and grins, and says, Prohibition.
You’re not sure whether the liquor is that old, or whether they’ve got a still down in the basement with their photography darkroom. Either seems completely plausible. The four of you have a rousing conversation about the merits of various beverages over dinner, and then you leave him to do business with the seamstresses.
*
It’s almost a year later, and you’re on your fifth costume, when you see the gangly teenager chase off a trio of would-be purse-snatchers with a grace of movement that can only be called superhuman.
You take pen and paper from one of your multitude of convenient hidden pockets, and scribble down an address. With your own power and the advantage of practice, it’s easy to catch up with her, and the work of an instant to slip the paper into her hand.
*
A week or so later, you’re drinking tea and comparing Supreme Court Justices past and present when she comes into the shop, and her brow furrows a bit, like she remembers you but can’t figure out from where. The ladies welcome her, and you push the tray of cookies towards her and head out the door.
In the alleyway you meet that same giant menacing man you’ve seen once before. He’s got a bouquet of flowers in one hand, the banner saying Happy Anniversary, and a brown paper bag in the other.